Canon snappy lx photos1/20/2024 It’s one of my favourite cameras because it is so simple. I had a roll of HP5 in my little Canon Snappy LX II. On first impressions the LX15 looks like it should be quick and fluent to use, especially if you’re prepared to delve into the menus and set up the dials and Q Menu to your liking.I was on holidays down the coast (as we say around here) and because the plan was to just relax I took a roll of black and white film and a Point and Shoot with me. The idea is that the touchscreen is used to select the AF point, with the user-configurable onscreen Q Menu providing access to other functions. The d-pad buttons on the back double-up to provide quick access to key settings, but there are relatively few other controls. It’s joined by the exposure mode dial and a conventional zoom controller around the shutter button. On the top plate is a thumb dial that’s quickly becoming a new design signature for Panasonic this can be used to set shutter speed, exposure compensation and so on. In front of it is a smoothly-rotating control ring, which can be used for such functions as manual focus or zooming. An aperture ring encircles the lens barrel, running from f/1.4 to f/11 with firm clicks at one-third EV steps. In terms of controls, the LX15 marries a decent array of physical dials with an intuitive touchscreen interface. However the absence of any rubberised coating or grip does make it feel a little insecure in your hand. It’s significantly smaller and slimmer than the LX100 too, due to its smaller sensor and lack of a viewfinder. In fact it’s a little more compact than the TZ100, meaning it should slip into a jacket pocket quite easily. With its smooth aluminium alloy casing and minimalist handgrip, the LX15 bears more than a passing family resemblance to the TZ100 ‘travel zoom’. The d-pad buttons on the back give access to key functions, while the battery and card slot in the base This promises to be great for gaining extended depth of field, for example for close-up shooting, depending on how well it works in practice. The user can specify during playback the nearest and furthest parts of the scene that should be in sharp focus, and the camera will automatically generate a composite image to match. In the past we haven’t found this very useful, but it now gains an intriguing new addition in the shape of in-camera Post Focus Stacking. Panasonic’s 4K Post Focus mode is also included, which takes a series of frames at different focus distances, in effect allowing pictures to be refocused after shooting. There’s also 120fps video recording at Full HD resolution, allowing slow-motion playback. Alongside are associated features including 4K Photo mode that in effect allows 8MP stills to be recorded at 30 frames per second as a movie file, and then easily extracted as individual files. This being Panasonic the LX15 has 4K video capability, with a recording limit of 15 minutes. There’s an HDMI output, but no microphone input We’ve found both technologies to be extremely effective on previous models, and there’s no reason to expect anything different on the LX15. Meanwhile autofocus employs Panasonic’s Depth From Defocus (DFD) technology, which uses knowledge of the lens’s out-of-focus characteristics to achieve faster AF. The LX15 incorporates 5-axis hybrid image stabilisation, which combines lens-based optical IS with electronic correction of rotation around the lens axis. Impressively the lens can focus on a subject just 3cm away, at least at its wideangle setting. But the LX15’s 9-bladed aperture should deliver attractive out-of-focus blur.Ĭore features include a standard sensitivity range of ISO 100-12800 (extendable to ISO 25,600), and continuous shooting at 10 frames per second with focus fixed, or 6fps with autofocus. So if you’re after blurred backgrounds for portraits, in principle the Canon G7 X Mark II will still win out, due to its longer 100mm-equivalent lens. However while this is great for capturing low-light interiors or landscapes, the f/2.8 maximum aperture at telephoto is much the same as its peers. This is the largest on any current compact camera – most competitors start at f/1.8 – and has only ever been matched by the older LX7, which uses a much smaller 1/1.7in-type sensor. The camera’s body is dominated by the large-diameter, fast lensĬlearly the LX15’s standout feature is its f/1.4 maximum aperture at wideangle.
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